Dry-transfer decals work on the principle
of "Differential Transfer"
It might look complicated but it's really a very simple process.
To make a successful dry-transfer you only need to manipulate
two different adhesives - one applied to each side of the graphic.
The bottom of the image has the stronger of the two so when the
image is rubbed down on the target surface the clear "carrier
film" is able to let go of the graphic without damaging
the image in the process.
NOTE: If you
don't see the "player" below
right away, please give our server a few seconds to pre-load
from our separate streaming video server. You may not see the
first frame of the video clip so just click on "PLAY" to
begin.
There are 9 quick steps to make a full-color, dry-transfer,
pressure sensitive graphic in under 10 minutes.
1) Remove Moisture
2) Apply Clearcoat
3) Remove Excess
4) Clean Surfaces
5) Bond the Carrier
6) Water Bath
7) Dry the Graphic
8) Apply Adhesive
9) Transfer graphic
With these amazing foils, you can convert any printed graphic or text using
any ordinary black-toner laser printer (or copier) into white, grey,
black, 2 holographic effects or any of the12 real metallic foil colors. (There
is even a "clear" foil for adding a true "sealer" over a
full-color imge!) It's actually quite amazing and simple to use. The
graphic doesn't even have to be a computer generated image. You could just
as easily sign your name on a white piece of paper and using a laser copier,
convert the signature to a "toner-reprodudtion", convert it to cobalt
metallic blue and make the transfer to a round golfball. The entire process
is very simple and extremely versitle!
Take a quick look at the effects of Differential Transfer" on the
carrier...
Once the decal touches the target surface, the adhesive
under the decal image has a much stronger bond to the new surface
than the decal to the mylar carrier with its light "static-cling" bond
that was created in the above "STEP 4". This is the "differential" in
adhesion that makes the process work so well.
After the image has
been rubbed down, the carrier is peeled back and discarded. The
spray adhesive under the decal image is stronger than the "static-cling" holding
the decal to the mylar sheet, so it will win out and the image
has to let go of the carrier.
Notice the frosted sillouette created
around the areas where the decal letters used to be on the carrier
before it was peeled back. The spray adhesive stays on the clear
mylar carrier as it is being peeled back because adhesives always
have a stronger bond to what they are applied to first!
You can make all three "types" of images
with the DecalPRO system; white, colour and metallic.
Use a standard black & white laser printer (or photo-copier)
for making all white & metallic
decals, and Colour laser printer (or colour copier) for full color
decals.
Putting Colour Toner Images on DARK or BLACK Target Surfaces!
Up to this point, we've been showing you colour images that
have been put on light coloured surface, as in the video above with
the white card, however, this
is cheating a little! Colour toner by its very nature must be
printed on white paper in order to see vibrant colour. If you were
to put a yellow piece of paper into a color printer and print a bright
RED square, your result will be a very stunning ORANGE! So it's important
to consider the colours you want to apply, and the colour of the
substraite (the surface you are applying the decal to).
The reason we see these colour differentials is primarily
caused by the way laser printer technology has developed for printing
on white paper. Colour laser printers work with 4 colours (cyan,
magenta, yellow and black) which are mixed to
produce all the colours we see on the paper. This coating is
EXTREMELY thin, and because of this, they have no 'body'. Light landing
on the image mostly passes between the toner particles, hits the white
background, usually the white paper, and is reflected back. As
the light passes through the toner for the second time it is tinted
by the toner colour and eventually makes it back to your eye.
So, if you need to put an image on a dark
or even black background, how do we get vibrant color? Simple... put
the same white foil (WhiteTRF) that we've used before to turn black toner
white UNDER the toner.One of the more advanced DecalPRO techniques involves
putting a full color image on target surface that is not white. In the
picture above, we made two identical columns of colored text. The right
side is plain toner on the black background, however, the left side has
had the "trick" performed.
If the background is black as shown above, you can see just how
much.
So how do you get access to the bottom of the toner you
ask? ... print it in "mirror"! In the DecalPRO starter kit
there is a set of full color graphics, half of which have already been
printed in reverse so you can practice this technique right out of the
box. (Actually, you need to practice the simpler techiques first, but
after gaining proficiency, then you'd tackle this technique). As shown
above, you see two identical columns of color "words". The
right side shows how transparent color toner actually is. The left column
was printed in reverse so we could apply the white foil UNDER the toner.
This
next video clip shows the complete process for putting a full color
logo on a drinking glass. Unless you want a transparent image, full
color graphics on glass must also have a white reflector applied to the back
of the toner image. The same white foil used to turn black toner
white is used here to create a reflector for the back of the color image.
(The player below may take a minute for it to show up as it pre-loads the "flash" video
clip).
The "starter kit" contains two specially
prepared, pre-printed pages on our special transfer paper, ready
for you to be able to start practicing with the system straight out of
the box. One of the two sheets is shown
here on the right.
In the above sample set of images (which are
included in the "starter Kit") the bottom
half is a duplicate of the top half except they are printed in
reverse. This was done so you can practice preparing "reflective" graphics.
When you run this video clip you'll see
the reversed (mirrored) Apple logo being used for the demonstration. If
you run out of any of these "TEST IMAGES" and
want to print extra copies for more practice you can download
them from the download page - click here.
If
you have Adobe Illustrator or Corel-Draw (illustration type programs)
you can download the raw files to be able to change specific
colors and sizes without any change in resolution. For
people without these software packages you can use the high resolution
Adobe Acrobat files.
"TOP-10" Features & Capabilities
1. COLOUR TONER ON BLACK BACKGOUNDS
A very simple process to be able to actually apply a white
reflective pigment foil underneath the colour toner if
the image allowing the thin colour toner image to maintain
total colour vibrancy as if it were printed on white paper!
2. COLOURISE BLACK TONER
Easily convert regular old black toner into any true
metallic shade, pure white, gray, super-black with one
quick step thanks to 19 very special foils for doing
special effects on your graphic image, albeit text or
graphics - whatever your laser printer or copier can
print out.
3. REAL "DRY TRANSFER"
Rub down your custom made decal to just about any surface.
You can even make a decal transfer perfectly to a Teflon
coated frying pan!
4. NO CARRIER
No visible means for securing the transferred image.
This is what separates our process for ALL water-slide
types of decals. Graphics made with our "DecalPRO®" system do
not have any sort of permanent, visible "carrier" to
remain with the image. Once applied, anyone viewing your
work will not be able to tell how it was done... it's
that good of a result.
5. NO RESIDUE
No signs of residual adhesive around the decal. Even
though we are working with a spray adhesive, the technique
is setup in such a way as to prevent any residual adhesive
from transferring to the 'target' location. If by chance
some did, which can happen on some surfaces, it can easily
be removed with plain old denatured alcohol without damaging
the transferred image.
6. RESILIANCE TO SCRATCHES
Extremely thin decal images with good resistance to scratching.
Another feature of using DecalPRO. We're talking about
a graphic that is the thickness of the toner plus a micro-thin
foil "top coat" and an equally thin amount
of adhesive. It's so thin that you are hard pressed to
be able to run your fingers over the image and barely
detect its presence.
7. REMOVABLE
Denatured alcohol will remove a decal that was accidentally
put in the wrong location without harming delicate plastics.
This is part of the beauty of the system, to use an adhesive
that can be removed by a chemical that won't harm any
surfaces. Naturally you should check the compatibility
of other surfaces to be sure it's safe to use before
use!
8. FAST
Average time from start to finish, under 10 minutes.
Granted, your first attempts will take a few minutes
longer only because there is a bit of a learning curve
since this process is quite unique, however, after a
little practice it will be a simple routine for you.
Even the most difficult technique of applying a white
foil UNDER a colour toner image, only takes about 6 minutes
to do.
9. LOW START-UP COSTS
Startup costs are generally considered quite low. Even
though the kit is not expensive at £59.80, you
will need a few other "support" items, namely
a good laminator, paper cutter and a hot-air gun. Some
customers already have one of the laminators that will
work with this system. If not, you are looking at about £50
for a good "pouch laminator". We sell what
we feel is the best laminator for the money from GBC
called the "Personal" model but there are others
out there what will also work fine. The paper cutter
is another item needed. All you need is any 9" model
from Staples, Office Depot, Office Max or look on the
web for great private deals on eBay.
10. TOTAL CUSTOMER SUPPORT
We maintain product support with our customers should
they encounter any difficulties along the way. We
can be contacted by phone or from our online contact
page - Click
here.
You should contact me in the UK as your first port
of call, but there is also the web site for the US
based company in Florida USA:
Well unfortunately there are, but then again doesn't everything!
#1: No INKJET or WAX printers!
his process requires the use of either a laser printer
or a photo-static copier. Both use "toner" which is imperative
because of the plastic property of toner and the fact that it is also
waterproof!
If you only have an ink-jet printer, you use it in an indirect manner
only. By that we mean you would make your black & white or colour
printout on regular white paper as a "master" print out then make
a duplicate on the blue TTS transfer paper using a photo-copier. (Don't confuse
the new 'breed' of scanner/ink-jet printer "combo units" to be the
same as a conventional "toner-based" copier.
Yes they are copiers - they they are NOT "toner-based" which
makes all the difference! When ever we speak of a "copier" we
are referring to the conventional, toner-based "photo-static" type
of device that uses powdered toner.
#2: Maximum Image Size:
The maximum decal size is about 190mm x 254mm (7½" x
10"). Even though the paper is 216mm
x 279mm (8½" x 11" US letter-size), your actual maximum
printable area by your printer is about 12mm (½") less
all around giving you a maximum printing area of about 203mm x 267mm
(8" x 10½"). Since there must be a 6mm (¼")
wide temporary master border all around the graphic image, your usable
size comes down another 12mm (½") to 190mm x 254mm (10" x
7½"). This example is for making one very large graphic,
of course, you can make a lot of smaller ones and still keep just
one master border around all smaller graphics that can be cut away
and transferred separately at a later time.
#3: Multiple layers of decals:
It is not possible to directly apply a second decal directly over
an existing decal without the risk of "pulling" some
of the first decal off during the removal of the carrier film. While
this is a problem it can be resolved by applying thin overcote lacquer
cotes between applications. This permits several layers to be
applied in one area to "build up the image".
#4: Mixing white with multi coloured decals:
Because the white colour is produced by applying
a foil, it is not possible to include white with other colours
in one application. There
are ways around this naturally. The first is to separate the
decal into 2 parts, the colour element and the white element. Then
apply them to the surfface separately using a varnish coat between
the colours (as in #3 above).
Alternatively
white paint can be applied to the surface with a paint mask in the
relevant area and allowed to dry before the top colour is provided
by the DecalPRO® transfer.
Depending
on the image you are producing will determine the method you use
and the order in which the colours are applied to create the decal.
DecalPRO® is the registered trademark of PULSAR • 21
Carriage Drive, Crawfordville, FL • 32327-2496, USA.
Flightline Graphics is the approved distributor
in the UK for this product.